13, takes its own sweet time to get to work. In addition, you can not help notice the stains on the manuscript. What is ultimately through a film that has had the courage to win the marathon, but that runs out of breath, and begins in mid-puff.
Manohar [R. Madhavan], an upwardly mobile middle class in India, moves into a new apartment - 13 floor 13 - with his family. On the first day in his new home, women engage in a new TV show "Sat Khairiyat. The show is a family eerily similar to that of his family, who also just moved into a new house.
Since the television show unfolds, they begin what is happening in the show comes to Manohar and his family. In the first game of a series of fortunate events taking place and many good things to happen, both in the show, and with family Manohar. Then things take a worse turn of events and shocking beginning to happen in television.
Is this the same thing happen with Manohar and his family? Does Manohar could solve the mystery in time before it consumes him and his family?
Now see the positive side: PC Sreeram exceptional camera work, sound design and of course a brilliant background score which enhances aggressive mood. Add in some sequences individualistic, which deserves ample praise. The sequences with the septuagenarian neighbor and his dog is exceptional, especially the sequence when the dog refuses to enter the apartment.
But the script goes off at regular intervals. In fact, the author builds the story very well, reached its crescendo, and then ... exploded. The viewer is curious to unravel the mystery and when you get there, you're not quite sure what was actually defeated.
If the TV was to reveal the secret at the end of the guilty, why not make the main character in the past? In addition, the photo album is unearthed from the area of reproduction of a garden, but why was not revealed when the high-rise gave way to the manor? The song that Deepak Dobriyal had the potential to be a great "turnaround story", but the restrictions in writing to appear in this chapter as well.
Directed by Vikram Kumar took the material well-being, but would be only 1.30 hours driving time of a film or a maximum of 1.45 hours, there really is 2.28 hours [yes, it's time for this film]. Dialogues are surprisingly pedestrian. How does the film suitable for first? Shankar-Ehsaan-Loy's music is more intrusion. Ideally, it would have been less movie song.
Madhavan does a commendable job. It is among his best. Neetu Chandra is in order. Among the supporting actors, the body language Deepak Dobriyal and performance leaves an impression. Poonam Dhillon will not be allowed. Sachin Khedekar is wasted. Dhrtiman Chatterjee, the neighbor, is first rate.
In general, 13, is interesting in some areas, not entirely. In addition, as mentioned above, the films of this kind in the world, have a lower [1.30 hours or 1.45 hours] and approx. 2.28 hours of time "running would test the patience of the viewer. Taquilla, in cricket, on the one hand and other evidence show big competitions, this horror film prove to be a frightening proposition for investors.
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